This is a duology of records by the unconventional and unpredictable jazz (pop, classical, devotional etc) musician and lo-fi recording legend Zach Phillips. At the time of this writing he’s best known as the co-leader of breakout jazz-pop-psych-improv group Fivel Is Glauque with singer Ma Clement. I first encountered his work as the boss of […]
The Seventh Seals self titled and sole record is a long, mystical record from a short lived project one of my favorite obscure Japanese albums. In the mid 90s Asahito Nanjo, bassist/vocalist/bandleader of renowned noise rockers High Rise, was focused on a
This is one of my favorite collaborations in the expansive universe of noise/psych/rock/electronic/whatever masters Gnod. I think it slipped under the radar a bit in the pandemic year of 2020 and it deserves wider appreciation. Especially as heads worldwide have more recently really been digging on a new wave of heavily percussive, vaguely worldly psychedelic […]
In a busy year for American jazz, one of the only things I can say for certain is that this is the most underrated release I’ve heard so far. I love a jazz duo recording and these two players specifically- a trumpeter at perhaps the apex of his career and a jazz guitarist whose seriously […]
This is one of my favorite Acid Mothers Temple albums and I think one of their finest overall. Benzaiten is largely a cover/reinterpretation of the 1976 album of the same name by Osamu Kitajima. Benzaiten (1976) is one of the earliest and most successful records to merge Western psychedelic/progressive rock and folk influences
I’ve loved everything by this LA (via Florida via France ) group. They make breezy, jazzy post-stereolab pop and I don’t think there’s a bad song in their oeuvre. It’s too early for me to say if Monkey Mind is my favorite or their finest, but I instantly understand why even longtime fans are so […]