The Seventh Seals self titled and sole record is a long, mystical record from a short lived project one of my favorite obscure Japanese albums. In the mid 90s Asahito Nanjo, bassist/vocalist/bandleader of renowned noise rockers High Rise, was focused on a
This is one of my favorite Acid Mothers Temple albums and I think one of their finest overall. Benzaiten is largely a cover/reinterpretation of the 1976 album of the same name by Osamu Kitajima. Benzaiten (1976) is one of the earliest and most successful records to merge Western psychedelic/progressive rock and folk influences
This is another great release by the improvisational trio of three of japans most accomplished players- Kawabata Makoto (Acid Mothers Temple) Asahito Nanjo (High Rise) and Yoshida Tatsuya (Ruins) joined by the even more experimental, even more legendary Keiji Haino on vocals. Record collectors, buoyed by […]
This 3LP live album from improvisational psychedelic legends Acid Mothers Temple documents a wonderfully heavy 4/20 set. As perhaps their longest running and hardest rocking lineup, this incarnation of the band is particularly suited to the task. They’re very aware of the holiday and the recording […]
The three records Giant Psychedelia, Mega Psychedelia and Giga Psychedelia are official live albums documenting three different performances by blog favorite psych/noise legends Acid Mothers Temple, joined on these journeys by guitarist Seiichi Yamamoto. Seiichi is widely known as the lead guitarist/multi-instrumentalist for intentionally renowned groups […]
This is a 2020 Black Editions reissue of a P.S.F records all-timer called Musica Transonic. This group/jam is a super session consisting of three of our favorite musicans: Makoto Kawabata of Acid Mothers Temple on guitar, Asahito Nanjo of High Rise on bass, and Yoshida Tatsuya […]
This dispatch from the U.F.O. finds Makoto and company in top form. The mixing and production is some of his finest and makes the most of the excellent and diverse instrumentation on this album- particularly the different rhythm sections and the intense washes of noise and synth. […]